He invents a love affair between Stirling and a beautiful young French intelligence officer, but it does not jar. Knight has of course taken liberties with the precise record, but they are mainly additions, fleshing out characters and context, not distortions. Worst of all are the deceitful rewrites, changing characters and events in vital ways yet still claiming some sort of authenticity, such as the unforgivably distorted film The Imitation Game, in which Benedict Cumberbatch plays legendary codebreaker Alan Turing. ![]() I had given up hope of ever seeing another second world war series or movie that did not have me grinding my teeth in irritation at unnecessary historical mistakes. Lady Lampson wore thigh-length boots as she thrashed the British ambassador’s buttocks before bed Rogue Heroes, we soon find, is closer to rock-star history – and yet, so enjoyably gung-ho is this adaptation, the anachronism proves irresistible. ![]() Along with Stirling’s fury, the soundtrack explodes into AC/DC’s If You Want Blood (You’ve Got It). They are on their way to relieve besieged Tobruk but, due to a miscalculation of staggering stupidity, he discovers that they have been given fuel for just 500 kilometres, not the 500 miles required. The junior officer in the lead vehicle, Lieutenant David Stirling of the Scots guards, brings the convoy to a halt. This could be the start of a classic 1950s war movie, but our expectations are soon turned upside down. The show opens with a huge column of British army trucks crossing the Libyan desert to the stirring sounds of Colonel Bogey marching music. The writer of Peaky Blinders has adapted Ben Macintyre’s SAS Rogue Heroes, the authorised history of the Special Air Service, and turned it into the best dramatic series the BBC has produced for ages. ![]() I really have to take my hat off to Steven Knight.
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